Was it part of some secret master-plan coordinated by the galleries this week, or was it an unbelievable coincidence? Of the eight galleries with openings we went to, seven of them were showcasing photography. Or is it the economical climate encouraging the sales of more reasonably priced work, such as photographs which often come in editions, allowing for lower price tags? Whichever it is, the results were rather pleasing. It was sort of like a photographic survey, offering a wide variety of approaches and techniques, subject-matter and intent: from intimate vintage silver gelatin prints to large-scale digital C-prints on dibond aluminum, from documentary photography to the imaginary, the fantastic and the sublime.