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Biography:
1955 Born in Tulsa, Oklahoma
1981 Receives M.F.A. from the University of Oklahoma, Norman
Selected Solo Exhibitions:
2007 Earl McGrath Gallery, Los Angeles, CA
2005 Longview Museum of Fine Arts, Longview, TX
2004 Feigen Contemporary, New York, NY
2002 Earl McGrath Gallery, Los Angeles, CA
2001 Bemis Center for Contemporary Arts, Omaha, NB
2000 SOMA Gallery, La Jolla, CA
University at Buffalo Art Gallery Research Center in Art & Culture, Buffalo,
NY
Gallery Simonne Stern, New Orleans, LA
1999 Gilcrease Museum, Tulsa OK
Blum Helman Gallery, New York, NY
KOPAC, Seoul, Korea
1998 Meredith Long & Company, Houston, TX
1996 Blum Helman Gallery, New York, NY
1995 Blum Helman Gallery, New York, NY
Milliventi Sperone, Torino, Italy
Margulies Taplin Gallery, Coral Gables, FL
1993 Gallery Kaj Forsblom, Helsinki, Finland
The Greenberg Gallery, St. Louis, MO
1992 Jason Rubell Gallery, Palm Beach, FL
1991 Yodo Gallery, Osaka, Japan
Gallery Busche, Cologne, Germany
1990 Blum Helman Gallery, Los Angeles, CA
University of Oklahoma Museum of Art, Norman, OK
Gallery Daniel Templon, Paris, France
1989 Dart Gallery, Chicago, IL
1988 Tom Cugliani Gallery, New York, NY
1986 White Columns White Room, New York, NY
Selected Public and Private Collections:
The Detroit Museum Of Art, Michigan
The Dorothy and Herbert Vogel Collection, The National Gallery of art,
Washington, DC
Hood Museum of Art, Dartmouth University, New Hampshire
Museum of Art, University of Oklahoma, Norman
The Metropolitan Museum of Art, New York
Museum of Modern Art, New York
Museum of Fine Art, Boston
The Saint Louis Art Museum, Missouri
San Diego Museum of Contemporary Art, California
Sheldon Memorial Art Gallery, Lincoln, Nebraska
Whitney Museum of Art, New York
1955 Born in Tulsa, Oklahoma
1981 Receives M.F.A. from the University of Oklahoma, Norman
Selected Solo Exhibitions:
2007 Earl McGrath Gallery, Los Angeles, CA
2005 Longview Museum of Fine Arts, Longview, TX
2004 Feigen Contemporary, New York, NY
2002 Earl McGrath Gallery, Los Angeles, CA
2001 Bemis Center for Contemporary Arts, Omaha, NB
2000 SOMA Gallery, La Jolla, CA
University at Buffalo Art Gallery Research Center in Art & Culture, Buffalo,
NY
Gallery Simonne Stern, New Orleans, LA
1999 Gilcrease Museum, Tulsa OK
Blum Helman Gallery, New York, NY
KOPAC, Seoul, Korea
1998 Meredith Long & Company, Houston, TX
1996 Blum Helman Gallery, New York, NY
1995 Blum Helman Gallery, New York, NY
Milliventi Sperone, Torino, Italy
Margulies Taplin Gallery, Coral Gables, FL
1993 Gallery Kaj Forsblom, Helsinki, Finland
The Greenberg Gallery, St. Louis, MO
1992 Jason Rubell Gallery, Palm Beach, FL
1991 Yodo Gallery, Osaka, Japan
Gallery Busche, Cologne, Germany
1990 Blum Helman Gallery, Los Angeles, CA
University of Oklahoma Museum of Art, Norman, OK
Gallery Daniel Templon, Paris, France
1989 Dart Gallery, Chicago, IL
1988 Tom Cugliani Gallery, New York, NY
1986 White Columns White Room, New York, NY
Selected Public and Private Collections:
The Detroit Museum Of Art, Michigan
The Dorothy and Herbert Vogel Collection, The National Gallery of art,
Washington, DC
Hood Museum of Art, Dartmouth University, New Hampshire
Museum of Art, University of Oklahoma, Norman
The Metropolitan Museum of Art, New York
Museum of Modern Art, New York
Museum of Fine Art, Boston
The Saint Louis Art Museum, Missouri
San Diego Museum of Contemporary Art, California
Sheldon Memorial Art Gallery, Lincoln, Nebraska
Whitney Museum of Art, New York
| Joe Andoe - Untitled Films 1978 |
| Four Ducks 1989 Etching, 15 x 22 3/4" Unique |
Cherokee Village (Pink) 2004 Silkscreen 37 x 30 7/8" Edition of 10 Cherokee Village (Blue) 2004 Silkscreen 37 x 30 7/8" Edition of 10 Cherokee Village (Turquoise) 2004 Silkscreen 37 x 30 7/8" Edition of 10 Cherokee Village (White) 2004 Silkscreen 37 x 30 7/8" Edition of 10 |
| Dog I (Red) 1998 Silkscreen 25x30" Edition of 35 Dog I (Putty) 1998 Silkscreen 25x30" Edition of 35 Dog I (Chocolate) 1998 Silkscreen 25x30" Edition of 35 |
| Mid Continent (Trips) 2006 Silkscreen 30 1/8 x 40" Edition of 77 |
| Mid Continent (Bison) 2006 Silkscreen Paper Size 29 1/4 x 24 " Image Size 24 x 20" Edition of 77 Mid Continent (Deer) 2006 Silkscreen Paper Size 29 1/4 x 24" Image Size 24 x 20" Edition of 77 |
Selected Press
Reviews, ARTnews, October, 2008
Maslin, Janet, “Living and Painting by His own Rules”, The New York Times,
August 9, 2007
Schwendener, Martha, “Critic’s Pick”, artforum.com, July, 2004
Wilson, Michael, “Joe Andoe”, Artforum, Reviews, page 269, Sept. 2004
Ratner, Megan, “Joe Andoe”, Frieze, Reviews, Issue 85, page 129, Sept. 2004
Anon, “Joe Andoe”, The New Yorker: Goings on About Town, May 10, 2004
Johnson, Ken, Joe Andoe; Art in Review”, “Joe Andoe”, The New York Times,
E31, April 23, 2004
Anon, “Girl, Isolated”, Time Out New York: This Week, Page 47, April 1-8, 2004
Eastman, Michael, “Freeze frame”, Arts and Entertainment, Aspen Times Weekly,
November 25, 2004(?)
Okensenhorn, Stewart, “Working Man’s Art”, Aspen Times Weekly, February 9-
10, page 10-11B, 2002
Hackman, Kate, “Form and Content as Artistic Opposites”, The Kansas City Star,
page 30, April 27, 2001
Arditi, Fiamma, “Una Colonia di Artisti al Chelsea Hote.”, ARS, II Nuovo, 1999
Collins, Tom, “Joe Andoe, Allene La Pides”, ARTnews, October, 1998
Goodman, Jonathan, “Joe Andoe at Joseph Helman”, Art in America, March, page
104-015, 1997
Glueck, Grace, “Art in Review: Oklahoma Memories”, The New York Times,
Nov. 29, 1996
Upshaw, Reagan, “Joe Andoe at Blum Helman”, Art in America, September, 1995
Hall, Jacqueline, “A Brooding Kind of Mood”, The Columbus Dispatch, March 19,
1995
Leigh, Yawkey, “Woodson Art Museum Catalogue”, University of Washington
Press, Seattle, page 19-22, 1995
Duffy , Bob, “Joe Andoe: Paintings”, Saint Louis post Dispatch, September 30,
1993
Saltz, Jerry, “Barbara &Eugene Schwarts”, Galleries Magazine, Dec. /Jan., page
97, 1992
Aring, Rainer, “Kolumne: Kunst-Stoff”, Prinz, December, 1991
Faust, Woolfgang Max, “Neuer Formalismus”, Art (Germany), December, page
23, 1991
Eickhoff, Von Beate, “Vor Allem Formalismus”, Kolner stadt-Anzeiger,
November14, 1991
Gardner, E.W., “Dear Editor: Letters”, Arts Magazine, October, 1991
Decter, Joshua, “new York in Review”, Arts Magazine, Summer, 1991
Decker, Andrew, “Period of Ajustment”, New York Magazine, April 29, 1991
De Ferrari, Gabriella, “Joe Andoe”, Mirabella, April, 1991
Legros, Herve, “Review”, Art Press, January, 1991
Klaus Ottman, Interview, Journal of Contemporary Art, 1991
McKenna, Kristine, “American Gothic”, Lose Angeles Times, December 14, 1990
Temin, Christine, “the Variety is Dazzling in ‘The Unique Print’ at the MFA”, The
Boston Globe, September 23, sec. B page 26, 1990
Lehman, “Review”, The New York Times, February 18, 1990
Reviews, ARTnews, October, 2008
Maslin, Janet, “Living and Painting by His own Rules”, The New York Times,
August 9, 2007
Schwendener, Martha, “Critic’s Pick”, artforum.com, July, 2004
Wilson, Michael, “Joe Andoe”, Artforum, Reviews, page 269, Sept. 2004
Ratner, Megan, “Joe Andoe”, Frieze, Reviews, Issue 85, page 129, Sept. 2004
Anon, “Joe Andoe”, The New Yorker: Goings on About Town, May 10, 2004
Johnson, Ken, Joe Andoe; Art in Review”, “Joe Andoe”, The New York Times,
E31, April 23, 2004
Anon, “Girl, Isolated”, Time Out New York: This Week, Page 47, April 1-8, 2004
Eastman, Michael, “Freeze frame”, Arts and Entertainment, Aspen Times Weekly,
November 25, 2004(?)
Okensenhorn, Stewart, “Working Man’s Art”, Aspen Times Weekly, February 9-
10, page 10-11B, 2002
Hackman, Kate, “Form and Content as Artistic Opposites”, The Kansas City Star,
page 30, April 27, 2001
Arditi, Fiamma, “Una Colonia di Artisti al Chelsea Hote.”, ARS, II Nuovo, 1999
Collins, Tom, “Joe Andoe, Allene La Pides”, ARTnews, October, 1998
Goodman, Jonathan, “Joe Andoe at Joseph Helman”, Art in America, March, page
104-015, 1997
Glueck, Grace, “Art in Review: Oklahoma Memories”, The New York Times,
Nov. 29, 1996
Upshaw, Reagan, “Joe Andoe at Blum Helman”, Art in America, September, 1995
Hall, Jacqueline, “A Brooding Kind of Mood”, The Columbus Dispatch, March 19,
1995
Leigh, Yawkey, “Woodson Art Museum Catalogue”, University of Washington
Press, Seattle, page 19-22, 1995
Duffy , Bob, “Joe Andoe: Paintings”, Saint Louis post Dispatch, September 30,
1993
Saltz, Jerry, “Barbara &Eugene Schwarts”, Galleries Magazine, Dec. /Jan., page
97, 1992
Aring, Rainer, “Kolumne: Kunst-Stoff”, Prinz, December, 1991
Faust, Woolfgang Max, “Neuer Formalismus”, Art (Germany), December, page
23, 1991
Eickhoff, Von Beate, “Vor Allem Formalismus”, Kolner stadt-Anzeiger,
November14, 1991
Gardner, E.W., “Dear Editor: Letters”, Arts Magazine, October, 1991
Decter, Joshua, “new York in Review”, Arts Magazine, Summer, 1991
Decker, Andrew, “Period of Ajustment”, New York Magazine, April 29, 1991
De Ferrari, Gabriella, “Joe Andoe”, Mirabella, April, 1991
Legros, Herve, “Review”, Art Press, January, 1991
Klaus Ottman, Interview, Journal of Contemporary Art, 1991
McKenna, Kristine, “American Gothic”, Lose Angeles Times, December 14, 1990
Temin, Christine, “the Variety is Dazzling in ‘The Unique Print’ at the MFA”, The
Boston Globe, September 23, sec. B page 26, 1990
Lehman, “Review”, The New York Times, February 18, 1990
