MUSIC: ERIC SOLOMON: 2008 Concert Tour (USA)
USA- A child prodigy, Solomon is a self-taught wunderkind able to play numerous
instruments. Self-assured with plenty of bite, harmonic grooves are gutsy, driven
sounds that refuse to be categorized. An eclectic brew of soul, funk and rock &
roll, My Reality speaks of heartbreak, success and raising yourself beyond
inspiring musical anthems and genre rebirth. Raised in Congo, Africa, his sound
absorbs many genres including street funk, raunch rock, old soul, R&B and
neo-jazz. Well-known as a perfectionist, he produces, writes, composes, arranges
and performs. Not just stylistic lip service, but authentic musical expression forged
by personal experience. His range, elastic voice and musical gifts account for his
broad appeal. Surrounding himself with a tight lineup of James Brown-like horns,
drums, guitars and bass. the complete sound seems as if the musical wheels
might fall off if the band dared to stop and breathe. A potent live band that slams
back and forth between an ever-unfolding musical mission, serves the listener a
triple dose of spontaneity, originality and electricity. Catch him on tour at the
following venues: Friday, 1 August 2008, Molson Canal Concert Series,
Lockport, New York, 8pm, Saturday, 2 August 2008 at The Haunt, Ithaca,
New York. More dates unveiled soon. Come and get hooked. To request a copy
of My Reality or to request an interview with artist Eric Solomon interested
media please contact Workhouse Publicity CEO, Adam Nelson directly by
telephone 212.645.8006 or via email at email@example.com
|The New York Optimist
GIVES US A PEEK INTO HIS REALITY
An immensely talented musician, Eric Solomon has already lived a fascinating life and in the below interview he speaks about growing up in Africa, his journey
into a career in music and his (4th) debut album My Reality. To receive a copy of My Reality or to request an interview with artist Eric Solomon, interested
media please contact Workhouse Publicity CEO, Adam Nelson directly by telephone 212.645.8006 or via email at firstname.lastname@example.org.
What made you want to be a musician?
My brother Rom was my first influence. He was a man of so much style and always around music. He was a DJ at first and used to spin all those funk and soul
jams when we were in Africa. He would be get them from the states and everybody would come to him for the latest and the baddest. He then went to
University for production and had a bunch of musical equipment in his basement and when I used to get there for vacation, I was blown away at how cool it
Did you always want to be a musician?
No. I never thought I would and never took music seriously. I remember clearly the day it all switched for me. I was evacuated from Africa couldn't really
speak to my parents and find out how they were doing cause the phone lines were messed up due to the war. One day, I was
hanging with my cousins and we passed a construction site that was really loud, but through the noise I could clearly hear this symphony. I could hear the
stings, and piano, and vocals and whatever else was there. It was incredible because it was like I developed musical antennas all of sudden and I could pick up
any frequency that I wanted. Kind of like a musical superpower. I knew at that very moment, that that was what I was put on earth to do. After that I could
pick up anything and intuitively play it. I feel blessed.
Is Africa in your music? How?
I would say it's in the rhythms but most importantly in my non judgment of musical styles. I love mixing different instruments and using them in a way that isn't
traditional like the use of the Banjo in a rock song like Build myself again. Cause I grew up to so many different styles. My brother was playing funk, my dad
classical and outside you'd hear the African styles like "Zaiko langa langa"
Who influenced you the most? Not just musically, but in life.
That would be Prince. When I was evacuated from Africa at 13 and couldn't speak to my parents, things were rough. It was all so foreign and so sudden in
Canada that I started rebelling and hanging out with the wrong crowds...and then I remembered that one moment when I climbed a chair by my brother's
turntables back in Zaire when I was 5 or 6 and I put on the album "For you" by Prince...I felt something so incredible. I remembered that I wanted to be like him
and reach the massive success with integrity that he reached, so I changed my whole environment, put up a poster of him in my room and I would burn with
this fire to succeed. Till now, I thank him for saving my life and I hope one day I get a chance to tell him face to face.
You have been working on different projects for several years, yet this is your first commercially released album? Why?
My friends like to say that that this is my 4th first album. First I did one in my basement and got some attention from Universal who wanted me to redo it in a
big studio, so I did, I didn't have an official deal with them at the time, but they kept in close contact, but by the time it was done, my new management took it
to Sony US through Richard Marx, who loved it and wanted to redo it again but using top players and studios using Sony backing. So we did that, and then that
never got released....so there I was again, with a cd in my hands, lots of broken hope and a mountain to climb. But this time, I did it differently. I didn't wait for
anyone and buy into anyone telling me to wait because things were going to happen. I went and did it myself on my own terms with my own uncompromised
vision. I feel like now that I took the reigns, things are starting for real and are not about to stop.
Describe your new album to me.
I wanted an album that took you on a little musical journey, and was not stuck to one style. It is very difficult for me to like one thing more than the other. I like
all musical styles. So I wanted to reflect that in my album but still keep one common thread. Sounds like “Build Myself” take you on aggressive rock journey
about not letting people bring you down, and songs like "Living a Lie" show more of my urban east coast soul influences. "Make it Real" is my Al Green old
school soul style and then you have songs like "She Knows Me" which is a singer songwriter story telling genre. “Dirty Man” which is a comical beat box
influenced prince funk jam that talks about the needs of being a man. Lastly, you have "Who's the Man" which a political acoustic broken down song with some
Middle Eastern influences I carefully picked these songs on the album to reflect a full rainbow of styles. I could never be one of those artists that has one sound
and sticks to it. I want to build my career around my talent and not my sound. I'm always going to have a unique sound, but I want the freedom to move and
reinvent myself and I guess I'm already setting the standard for that.
Tell me about the members of your band. Are they fun guys? Good musicians? Etc.
They’re best musicians in town in my opinion:
Tim Proznik is this cool little guy that’s just too cool for school. He listens to Reggae all the time and kills on the drums. He brings the band together and plays it
like it’s a top showcase every time.
Scott Tucker a.k.a. Krypt, has been playing with me for a long time now. He's an unbelievable bass player, there is nothing he cant do. And on the road, OMG
he can be one of the funniest guys I've ever met.
Chad Taylor, I don’t think I've ever seen him out of style. Well, maybe once in LA when he was wearing beach shorts with dress shoes...but besides that he's
like this ska punk circus trumpet keyboard hyper dude who's down for whatever. I love him
Alex Maher and I are very tight, we hang together all the time. He is incredibly funny and incredibly talented. Replacing him would take 2 people. A fat lady on
vocals and an amazing sax player that can beat box like a monster. He always has the line that gets you cracking up on the floor
Dan Ross, our new edition to the band...I needed a guitar player that could do the funk thing and could do the rock thing and Dan Ross could do both...as for
stories about him I'll let you know after this tour.
Do you like being on the road with your band?
Yes, my band is my family, and I treat them that way. We all hang around as friends back home anyways, so its not that big of stretch going on the road with
these guys. They're amazing.
What is the one thing you'd like to tell your fans, old and new?
I love you and thank you, I'm excited to take you on a ride and promise you there will be many surprises along the way.
Instituted in 1996, Workhouse Publicity has produced over one hundred domestic and international publicity campaigns. The new definition of a full-service
promotional firm, Workhouse specializes in the coordination of corporate and celebrity publicity, total design, luxury marketing and
special events. Worldwide client campaigns have included promotional initiatives for Sean "P. Diddy" Combs, Tim Burton, Debbie Harry, David LaChapelle and
Lennox Lewis. Corporate retainer clients include Assouline, Borrelli, Bennihana, ContentFilm, Carl F. Bucherer, Chocolate Bar, IFC Films, Metropolitan Pavilion,
Rubin Museum of Art, WGA East to name a few. Recent accomplishments include launch events at Versace, Harry Winston, Van Cleef & Arpels, Gracie
Mansion, Harlem’s legendary Apollo Theater, Carnegie Hall. Client campaigns include Ultimate Style: The Best of The Best Dressed List at Gotham Hall, Dolce &
Gabanna’s Hollywood at Bergdorf Goodman with Jennifer Lopez, Gucci’s so8o’s boutique launch, Francis Ford Coppola’s Festa Macaroni, Interview Magazine’
s 30th Anniversary, Virgin Megastore's Grand Opening and Galleries Lafayette’s 20th Anniversary in France as well as bi-coastal productions of the 24 Hour
Plays to benefit the NY State WTC Relief Fund with Philip Seymour Hoffman, Rosie Perez, Benjamin Bratt, Julianne Moore and more. Workhouse Publicity is a
one-stop agency accommodating all aspects of publicity, design and promotion for the creation of marketing, advertising and special events.