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Casey and the Quilt: emerging/hiding Charcoal on Rag 2009 62 " x 42 "
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Casey and the Red Ball Charcoal on Rag 2009 42" x 35"
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Gabrielle's Lamp Charcoal on Rag 2009 42" x 31"
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My work is to connect with the viewer by
addressing issues of the human condition
through portraiture of myself and my family.
My current work consists of three different
subject matters: my children, antique childhood
toys and self portraits. The self portraits have
changed over the years, from being surrounded
in white, empty space to being surrounded by
nature.
I have named this particular body of work the
“Sasquatch Series” to reflect both the
physicality of the figure and of my feelings
while creating the drawings. I feel the drawings
ask the viewer
to enter at their own risk.
Clown; Coitus Charcoal and Pastel on Rag 2009 21 " x 30 "
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Clown; Coitus Charcoal and Pastel on Rag 2009 21 " x 30 "
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The freedom I experience when I draw myself nude translates into a kind of hard honesty which is one of the
most important aspects of my work. In each piece that I create, I attempt to illustrate human strengths and
vulnerabilities. In the “Sasquatch Series” it is the perceived strengths of the lone Sasquatch that I sought to
portray.
Sasquatch, Birch Trees Charcaol on Rag 2008 57" x 44"
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How I draw my children is different, the honesty is there, but it is their own honesty reinterpreted through my
hand and eye, often tinged with the sadness I felt at that age. I draw their vulnerability. This can be seen
through their expressions and states of dress.
I choose to draw them with minimal covering, in order to convey not only the beauty of the body but the beauty
of innocence. Because of their vulnerability, I have felt the need to protect them. I often choose poses which
confront the viewer; this is achieved by the gaze being met. The portraits of my children are essentially
self-portraits to be seen in conjunction with the Sasquatch pieces.
For me, it is imperative to recognize this connection, to understand why I draw what I draw, to make it more about
healing than producing and to realize that I am today who I am because I have come to terms with my childhood and not
shut the door on it. My work is a kind of diary, a documentation of my life.
Emily Recumbant on Rattan Furniture
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