The New York Optimist November 2008 |
Chelsea Gallery Art Crawl, October 30th, 2008 by Stephan Fowlkes |
Somewhat more traditional in approach, Bill Jacobson’s landscape photographs of the desert come across as reductive, if not downright minimalist. With a limited or toned-down palette and seeming over-exposure, these photographs of the desert emphasize the atmosphere of these environments: sparse, lonely, desolate, void of humanity. These landscapes come across as more emotional than physical or literal. “These are quiet pictures of vast spaces that lack any obvious reference to human endeavor or presence. As such, they summon a distinctly human interior-space, the ’intimate immensity’ identified by the French theorist of intimate interiority, Gaston Bachelard.” |
Recent Drawings and Photographs Corinne Mercadier at Alan Klotz Gallery 511 W. 25th Street October 30-December 6, 2008 Corrine Mercadier presents us with both large--almost surreal--staged landscape photographs and very small, pencil, gouache and ink drawings. The gelatin silver prints present us with eerie dreamscapes strongly suggesting a psychological realm of dark and light, of fabricated geometries, with the occasional figure, as in Devant l’escalier de verre/ In front of the glass staircase, where a solitary figure stands in the center of an angular spiral carved out of a field of snow or a salt flat. The exaggerated contrast in the grey-scale adds to the surreal quality of the scene. What makes this work so interesting is that the drawings, based on Mercadier’s childhood memories, actually inform and inspire the photographs. Unlike the tradition of making paintings from photographs, she turns the standard on its head with very pleasurable results. The haunting imagery has stuck with me, and I take that as a sign of a successful photograph. |