The New York Optimist
© MMIX, The New York Optimist. All Rights Reserved. The New York Optimist & www.thenewyorkoptimist.com is a registered trademark
of The New York Optimist.  The New York Optimist is a registered service mark of Thenewyorkoptimist.com. The New York Optimist logo
and original photos are a registered trademark of The New York Optimist  . All other photos are property of the advertiser. And are
rightfully protected under their copyright protections
.
Facebook
Twitter
Stumble
You Tube
Digg It
SHARE
The Public Theater’s

Hit Rock Musical

BLOODY BLOODY ANDREW JACKSON

Celebrates 100th Performance

Saturday, June 19 at 9:30 p.m.

Must Close Sunday, June 27!


June 16, 2010 – The Public Theater (Artistic Director Oskar Eustis; Executive Director Andrew D. Hamingson) announced that the critically acclaimed
rock musical
BLOODY BLOODY ANDREW JACKSON will play its 100th performance on Saturday, June 19 at 9:30 p.m. By the time the show closes
at the end of June, it will be the second highest grossing show in The Public Theater’s downtown history.

A co-production with Center Theatre Group and in association with Les Freres Corbusier,
BLOODY BLOODY ANDREW JACKSON is written and
directed by
Alex Timbers and features music and lyrics by Michael Friedman. BLOODY BLOODY ANDREW JACKSON began previews on March
23 and extended its run three times; it must end its run at The Public on Sunday, June 27.

This acclaimed show rocks The Public’s Newman Theater with songs like “Populism, Yea, Yea,” “Rock Star,” “I’m Not That Guy,” and “The Hunters of
Kentucky.”  A cast recording will be released in the fall. Tickets through June 27 are on sale now at 212-967-7555 or
www.publictheater.org.

On Saturday nights through June 26, including the record-breaking June 19 performance, the 9:30 show will be an “Emo-Cratic Party,” where all
tickets are sold for the populist price of $49 and every audience member will receive a free drink ticket, redeemable for beer, wine, or soda; all
beverages can be enjoyed in the theater.

BLOODY BLOODY ANDREW JACKSON, an audacious mix of historical fact and invention, redefines America’s controversial seventh president—the
man who invented the Democratic Party, doubled the size of our nation and signed the Indian Removal Acts that started the Trail of Tears —with a
raucous blend of outrageous comedy, anarchic theatricality and an infectious emo rock score.  It received an Outer Critics Circle Award for
Outstanding Off-Broadway Musical, a Drama Desk Award for Best Book of a Musical and a
Broadway.com Audience Award for Favorite Off-
Broadway Musical.  

The
BLOODY BLOODY ANDREW JACKSON cast features River Aguirre as Lyncoya; James Barry as Monroe; Michael Crane as
Clay/Blackhawk;
Michael Dunn as Calhoun; Greg Hildreth as Red Eagle; Jeff Hiller as John Quincy Adams; Joe Jung as Male Soloist; Lucas
Near-Verbrugghe
as Martin Van Buren; Maria Elena Ramirez as Rachel; Kate Cullen Roberts as Elizabeth; Benjamin Walker as Andrew
Jackson;
Colleen Werthmann as The Storyteller; and Emily Young as Female Soloist.

BLOODY BLOODY ANDREW JACKSON features scenic design by Donyale Werle, costume design by Emily Rebholz, lighting design by Justin
Townsend
, sound design by Bart Fasbender, and choreography by Danny Mefford.
THE PUBLIC THEATER (Oskar Eustis, Artistic Director; Andrew D. Hamingson,
Executive Director) was founded by Joseph Papp in 1954 and is now one of the nation’
s preeminent cultural institutions, producing new plays, musicals, and productions of
classics at its downtown headquarters and at the Delacorte Theater in Central Park.
The Public’s mandate to create a theater for all New Yorkers continues to this day
onstage and through extensive outreach and education programs. Each year, over
250,000 people attend Public Theater-related productions and events at six downtown
stages, including Joe’s Pub, and Shakespeare in the Park. The Public has won 42
Tony Awards, 151 Obies, 41 Drama Desk Awards and four Pulitzer Prizes. The Public
has brought 52 shows to Broadway, including Sticks and Bones; That Championship
Season; A Chorus Line; The Pirates of Penzance; The Tempest; Bring In ‘Da Noise,
Bring In ‘Da Funk; On the Town; The Ride Down Mt. Morgan; Topdog/Underdog;
Elaine Stritch at Liberty; Take Me Out; Caroline, or Change; Well
The LuEsther T. Mertz Charitable Trust provides leadership support for

The Public Theater’s year-round activities.

The Public’s 2009-2010 downtown season is made possible with the generous support of both The Philip and Janice Levin
Foundation and The Ian Madover and Arielle Tepper Madover Family Foundation.  Time Warner is the Supporting
Sponsor of The Public’s 2009-2010 season.

Bank of America is the proud Season Sponsor of Shakespeare in the Park.

Major support for The Public Theater is provided by The Andrew W. Mellon Foundation, the Doris Duke Charitable
Foundation, the Shubert Foundation, the Harold and Mimi Steinberg Charitable Trust, the Carnegie Corporation of New
York, the Susan Stein Shiva Foundation, the George T. Delacorte Fund at the New York Community Trust—Fund for
Performances at the Delacorte Theater in Central Park, and by Warren Spector and Margaret Whitton.

Additional generous support is provided by Apollo Management, the Horace W.

Goldsmith Foundation, The Shen Family Foundation, and the Stavros Niarchos Foundation.

New York Magazine is the official print and online sponsor of The Public Theater’s 2009-2010 downtown season.

Public support is provided by the New York City Department of Cultural Affairs; the New York State Council on the Arts, a
state agency; and the National Endowment for the Arts, an independent federal agency.

Special thanks to Continental Airlines, the official airline of The Public Theater.