The New York Optimist
© MMIX, The New York Optimist. All Rights Reserved. The New York Optimist & www.thenewyorkoptimist.com is a registered trademark
of The New York Optimist.  The New York Optimist is a registered service mark of Thenewyorkoptimist.com. The New York Optimist logo
and original photos are a registered trademark of The New York Optimist  . All other photos are property of the advertiser. And are
rightfully protected under their copyright protections.
Facebook
Twitter
Stumble
You Tube
Digg It
SHARE
Night Stalk Her
Celebrated fetish artist Brian M. Viveros is internationally embraced for his erotic paintings of doe-eyed beauties with Marlboros
dangling seductively from their lips and has also recently been utilizing the medium of film to capture the dark and evocative
debris that radiates from his mind. His paintings are a drunken mix of oil, airbrush, acrylic, and ink. In his work Viveros shines a
light on his own inner world and society at large and aims to captivate even the most jaded eyes.

Viveros’ recognition accelerated with his participation in ‘The Art of Porn’ exhibition held in Switzerland (1997), where he
exhibited alongside H.R. Giger. Since then Viveros’ work has been exhibited extensively in North America and Europe in
numerous gallery shows and at Aqua Art Miami (2009) and GenArt’s Vanguard Fair (2008). His work has also been featured in
numerous books including Les Barany’s ‘Carnivora: The Dark Art Of Automobiles’, Harry Saylor and Carolyn Frisch’s ‘Edgy
Cute: From Neo-Pop to Low Brow and Back Again’, Matt Jordan’s ‘Weirdo Noir’, and Erotic Signature’s ‘The World’s Greatest
Erotic Art of Today – Vol. 1 and Vol. II’.
Devil In Me
His work has also been featured in the pages of Juxtapoz (no. 118),
Secret Magazine, In the Flesh, Skin Two, Drawing Blood, Darks Art,
Joia Magazine, Tattoo Extreme, XFUNS Magazine, Let’s Motive, Truce,
Digital Temple, Riviera Magazine, Uce Magazine, Ego Magazine, Real
Detroit Weekly, .ISM Quarterly, Tattoo Society, Dark Art’s Parlour
Magazine, Revolution Art, Iniciativa Colectiva, Fetish Magazine, and
was also recently featured on the TV show ‘LA Ink’ (where artist Nikko
Hurtado tattooed one of Viveros’ paintings onto a client).

Viveros made his directing debut in 2005 with his quietly eerie, boldly
stylized short film Dislandia, a psycho-drama revolving around a young
girl who exists in a desolate world full of dreamlike images that range
from bizarre to symbolic and erotic. Southern, his latest surreal film,
returns cinema to the unclean. Southern is an experience of primordial
sights, sounds, and sentiment, blanketed by a fog of troubling eroticism
and violence. Viveros was also recently featured on the Sundance
Channel’s ‘Pleasure for Sale’ where they featured a behind the scenes
look at the artist and the
dislandic crew that helped him to
create his film Southern.
Captain Howdy
“…Brian’s trip to Switzerland can only be described in three words: ‘Veni, vidi,
vinci.’ People here are crazy about his work and can’t wait for him to return
and bedazzle them again!”
-Museum of Porn in Art, Zürich, Switzerland

“Mysterious sexy women, with their remarkable sensual eyes, and a cigarette
in the corner of their mouths, became his trademark. These characters play
their lustful roles, sprouted from the brain of the American artist Brian Viveros.
His art is a unique mixture of different visual and artistic concepts, surrealism,
role playing and some quite heavy pain fantasies. Like the ones where the
women are hooked, tortured and bound, but somehow, even in these morbid
scenes, he is capable of maintaining a decent dose of humor.”
-Art of Love

“The erotic artwork of Brian M. Viveros is a satisfying cross between the Varga
Girls and the surrealist renderings of Hans Bellmer. At once playful,
hypersexual and erotic, there is also something darkly engaging in Viveros’s
images. While he’ll play up the demon aspects of the Femme Fatale, or the
depravity lurking just beneath the surface of the innocent girl, he does so with
a sense of awe – as if honoring what’s ‘dangerous’ in the erotic female form,
not fearing it or degrading it.”
-Marilyn Jaye Lewis, editor The Mammoth Book of Erotic Photography; Erotic
Writer of the Year, 2001

“I don’t know why I am attracted to his paintings of tattooed, beaten women,
but they have such a defiant look, with their Louise Brooks/Pandora’s Box
black ‘helmet hair’ and cig dangling from their mouths, one eye swollen shut. It
is to so erotic and powerful, about us women who get beaten up every day…”
-Jenny Lens, punk photographer/archivist – she shot Darby Crash!

“…hauntingly memorable and erotically arousing work.”
-Francis Lora, contributing writer to Urban Latino Magazine and the Manhattan
Times
Let It Bleed
Mysterio WrestleHer
EvilLasting Love
SinHer
Unclean
Viva  La Muerte IV
Brian M. Viveros
Returning Art To The Unclean